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At this Geoffrey gives way to mirth. He and Darling are virtually alone, as Nicholas and Captain Rodney are talking earnestly about the impending lawsuit in a distant corner. It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "Yet she would renounce her love, would betray him for the sake of filthy lucre," says Mona, gravely. "I cannot understand that.".
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"Lilian is such a dear girl," says Lady Rodney; "she is a very general favorite. I have no doubt her dance will be a great success." "Late again, Jermyn," says Sir Nicholas, lazily. "Is it?"—witheringly. Then, with some impatience, "You will be far happier in an arm-chair: do go into the parlor. There is really no reason why you should remain here." "Neither have you.".
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